个人化叙事是否完成——张艺谋“文革”电影的叙事变化

Can Individualized Narrative Be Accomplished:Narrative Changes in ZHANG Yi- mou's “Cultural Revolution”Films

"第五代"主将张艺谋前后拍了四部关于文革的电影,而后期作品都是试图从历史中截取一些片段,不是以历史视角而是个人化视角来重新讲文革的故事。但这一"个人化",并不是像现代主义之后的文本一样完成对整个大历史的拆解,或是重新建立一套对历史的解读系统,所以这一视角转换并未彻底,也远不像新生代导演那么轻松地甩脱历史释放个人。

ZHANG Yi - mou, the mainstay of the ＂fifth - generation＂ directors, produced four films concerning ＂Cultural Revolution＂ successively. Of these, the later films attempt to retell the stories about ＂Cultural Revolution＂ from individualized perspective by selecting a historic phase. But this ＂individualization＂ does not deeonstruct the entire history as the postmodernist texts do nor does it reconstruct an interpretation system of history. Its transformation thus is not complete nor is it similar to that of the directors of the New Generation who reject the history and release themselves easily.