基于“艺术学立场”的艺术人类学寻问与探究

An Art Anthropological Inquiry and Exploration from “Standpoint of Arts”

任何一个学科研究都拥有一个共同的关系世界,但不同学科,甚至同一学科中不同的研究者,也会生出各不相同、如此之多的学科世界。一门学科与其他学科之间的差异,其成立的理由和基本前提在于它所拥有的立场。学科立场是学科归属问题,没有学科立场,则会导致在学科发展中立场不定,甚至导致本学科消亡,或为其他学科所取代。艺术人类学发展中存在着重"人类学立场"而忽视"艺术学立场"的问题。在很多艺术人类学研究中,艺术学立场意识不够清晰,缺失艺术学感觉和艺术学想象。因此,确立基于"艺术学立场"的艺术人类学显得格外迫切和重要。

Any study conducted by human being is a collectively - owned world of relations, but different disciplines or even different researchers in the same discipline may display an entirely different and diverse worlds due to different ＂standpoints＂. The differences by which one discipline distinct from another and its founding prerequisites can all result from its standpoints. The disciplinary standpoint is concerned with the disciplinary ascription and thus without it, it would lead to the inconsistency in the disciplinary development or it may cause its extinction or replacement by other disciplines. In the development of art anthropology, there exists a highlight on ＂anthropological standpoint＂ and an overlook on ＂standpoint of arts＂. In many art anthropological studies, the consciousness of artistic standpoint is not clear enough and there is an absence concerning the notion and imagination of arts. It thus seems particularly urgent and important for art anthropology to establish a ＂standpoint of arts＂.