隆林彝族服饰艺术的当代重构

The Contemporary Reconstruction of Wearable Art of Yi Nationality in Long- lin Area

隆林彝族服饰艺术经历了传统社会里极具民族特征的整体形象、民国前后的开放式吸收与整合,到改革开放前夕趋于萎靡与消解的过程后,于20世纪70年代末80年代初,通过调适、重组后焕发了新的生机,实现了民族服饰艺术的当代重构,对隆林彝族文化的传承发展产生了极大的影响。隆林彝族服饰艺术的当代重构,不仅反映了隆林彝族民众对于美的追求,更体现了社会转型期民族成员为适应文化生境的改变对民族文化进行的改变、重组和自我调适所做出的努力。当然,民族服饰艺术的重构应该建立在充分认识本民族传统服饰艺术文化内涵的基础之上,不应毫无规则地盲目"移植"与"借用"。

The wearable art of Yi nationality in Long- lin area has acquired the collective images with national features in the traditional society. It got an absorption and integration around the Republic of China, then it had a slump on the eve of reform and opening - up and later it revived with adjustment and reconstruction at the turn of 1980s to achieve the contemporary reconstruction of the national wearable art and exerted a great influence on the cultural inheritance of Yi nationality in Long - lin area. The reconstruction not only reflects Yi people＇ s pursuit of beauty, but demonstrates the changes, reform the reconstructio not ＂transplant＂ and efforts of adjustment within the cultural context in the era of social transformation. It is obvious that n of national wearable art should be based on a full understanding of its cultural connotations and should or ＂borrow＂ blindly.