跨文化比较视野下的壮族“末伦”艺术

On “Molun”Art of Zhuang Nationality with an Intercultural Comparison

"末伦"是流传于中国德保、靖西、那坡等县壮族的一种民间曲艺,源于当地民间宗教传统"末"。在跨文化的视野下,将其与越南侬族的"末伦"、壮族布傣人和越南岱族天琴艺术、泰国东北部和老挝佬族的Molam艺术并举,以宗教信仰为原点考察它们之间的关联,可以看到:它们均源于壮泰族群原生的宗教传统,但在各自的发展历程中,呈现了不同的形态。这种原生宗教,其读音应该与"末"或Mo大体相近,"末伦"、Molam等称谓是用以指谓源于这种宗教传统、以"伦"或Lam的方式来唱诵的口头传统。由此切入考察这些艺术形式,具有艺术史、宗教史与民族史的意义。

Originating from the local folk religious tradition ＂Mo＂, ＂Molun＂ is a kind of folk art popular among people of Zhuang nationality around the counties of Debao, Jingxi and Napo etc. By comparing it with ＂Molun＂ of Nong nationality in Vietnam, Den of Phu Tai and Dai nationality in Vietnam, and Molam of Lao nationality in Northern East of Thailand and Laos, it can be noted that they all stemmed from the native religious tradition of Zhuangtai ethnic group and displayed diversity in their respective developments when investigating their relations in view of religious belief. The pronunciation of this native religion is roughly similar to the sound of Mo as ＂Molun＂ and Molam indicate they originate from this religious tradition with ＂Lun＂ or Lam as its means of oral tradition to chant. The investigation is of significance in the history of arts, religion and nationality.