摘要
布莱希特在他的戏剧观念成熟时期,将他的戏剧从最初的"史诗戏剧"更名为"辩证戏剧",标志着辩证法在他的戏剧舞台实践上的全面贯彻与运用,并把它作为戏剧产生社会效能所追求和实现的目标。辩证法的批判和革命的本质构成了布莱希特戏剧的主题。批判性和革命性在布莱希特戏剧中的表现也为"辩证戏剧"获得正名。
When his drama concept mas" to the "dialectical dramas", became mature, Brecht changed the name of his works from the initial "epic dramarking the full implementation and application of dialectics in his practice of drama stage and making it the goal drama should pursue and achieve for its social effect. The subjects of Brecht' s drama consist of the dialectical criticism and the revolutionary essence. The embodiment of the critical and revolutionary nature in his drama also established the fame as "dialectical drama".
出处
《贵州大学学报(艺术版)》
2015年第6期61-65,共5页
Journal of Guizhou University Art Edition
关键词
布莱希特
辩证戏剧
辩证法
批判性
Brecht
dialectical drama
dialectics
criticalness