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J.M.库切的流散写作及其文化内涵

J. M. Coetzee's Diasporic Writing and Cultural Connotations
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摘要 《男孩》《青春》《夏日》是南非作家库切的自传体小说三部曲。小说主人公约翰作为殖民者后代生长于南非,在英国工作生活,不断流散于各种异质文化中以寻找自己的栖身之地。这种夹杂于多重文化的边缘状态正是库切的真实写照。透过约翰的经历折射出作者的成长背景及其所面对的社会与历史环境,而这些因素为库切的写作提供了丰富的素材,形成其独特的流散写作风格并呈现出逃离性与边缘化的文化内涵特征。 Boyhood, Youth and Summertime are trilogy of J. M. Coetzee' s autobiographic novels. As a de- scendant of colonists, John, the protagonist who grows up in South Africa, working and living in England, con- tinuously seeks for his own position in varied cultures. Such marginalization in multiple cultures is a true por- trayal of Coetzee. Through John' s experiences, the author' s growth background and social, historical environ- ments are reflected. Those factors provide rich material for Coetzee' s writing, which forms his unique style of diasporic writing, presenting cultural connotation of escape and marginalization.
作者 堵文晖
出处 《江苏理工学院学报》 2015年第5期61-66,共6页 Journal of Jiangsu University of Technology
基金 江苏省高校哲学社会科学研究基金资助项目(2015SJB442)
关键词 流散写作 形成因素 逃离性 边缘化 diasporic writing factors of formation escape marginalizafion
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