艾米莉·狄金森诗歌创作的悖论策略被引量：4

Paradox in Emily Dickinson's Poetry

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摘要艾米莉·狄金森生活在19世纪中后期的美国,她的人生经历面临诸多悖论,其中最根本的则是她在一个要求女性谦卑的社会中选择了具有张扬特征的诗歌艺术。通过对其诗歌作品的文本分析、对其生活环境与人生经历的考察,可以发现,狄金森自觉或不自觉地在诗歌创作中采用了悖论策略,以自我否定的方式达到自我张扬。她的诗歌文本中充满了悖论,这些悖论来源于作者现实中的悖论处境,也是语言艺术对现实悖论的消解与超越,是狄金森诗歌成就最重要的组成部分,也是读者深入了解狄金森及其诗歌的有效途径。 Living in the late 19th-century United States of America,Emily Dickinson experienced many paradoxes in her life,the most fundamental of which is that she chose self-assertive poetry writing in a society that demanded self-renunciation from women. Through a textual analysis of her poems and an examination of her living environment and life experience,this paper reveals that Emily Dickinson consciously or unconsciously adopted the strategy of paradox in her poems and achieved self-assertion by self-denial. Origi-nating from the paradoxical situation in the poet's real life,the paradoxes in Dickinson's poems help to counteract and transcend real life paradoxes and constitute the most important part of Dickinson's poetic achievement. These paradoxes,therefore,serve as an important angle for the reader to get a deeper understanding of Dickinson and her poems.

作者金文宁

机构地区上海理工大学外语学院

出处《国外文学》 CSSCI 北大核心 2016年第1期95-105,158-159,共11页 Foreign Literatures

基金上海理工大学人文社科基金项目"论艾米莉.狄金森诗歌的否定形式与成长意义"(项目编号:13XSZ04)的研究成果

关键词诗歌创作艾米莉·狄金森悖论女性身份

分类号 I712.072 [文学—其他各国文学]

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参考文献39

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