摘要
本文旨在分析图森小说中的断片诗学特征,即在形式上和内容上将完整的叙事分割成众多片断的作法。从游戏的角度来说,断片书写不但完成了对小说性的消解,更重要的是用美学的形式揭示了当代生活的重要症结。如果我们这个时代的境况不再有利于总体性视阈的形成,那么,一方面文学该如其所是地展现这种不可能性,另一方面,作家该在创作中力图实现意识上的统一。如何实现两者的平衡?如何在拒绝虚幻的总体性的同时仍然给予读者统一的微光?这是当代作家微妙的任务之一,也是本文旨在探讨的问题。
The present study aims to highlight fragmentary writing in the works of Toussaint. Fragmentary writing not only destroys the classical romantic,but also reflects the central problem of modernity,namely,the disappearance of the totality. If our era is no longer able to construct a given totality,literature should,on one hand,highlight this impossibility,and on the other,try hard to reach the unity through artistic creation. How to balance the two? How to give the reader a glimmer of hope of the unity while rejecting the illusive totality? It is one of the delicate tasks to be assumed by contemporary writers,and also the problematic subject of our study.
出处
《国外文学》
CSSCI
北大核心
2016年第1期143-152,160,共10页
Foreign Literatures
