摘要
虚构性景观的概念源自"景观"一词,主要指文学作品中故事展开的场景。其生成方式多样,有的是以作家潜意识中的地理信息为基础,大量运用想象,建构起玄幻多姿的地理景观;有的则是与现实的地理环境相结合,化用地理元素。虚构性景观的独立性、文学性和主观创造性使它成为有别于实地景观的鲜明特点。关注虚构性景观,可以发现隐藏在人心、地域、传媒等外界因素下的独特审美,具有更加丰富的人文性,也为当代中国文学的发展提出了新的要求。
The concept of imaginary landscape comes from the word'landscape', mainly referring to the scenes in literary works. Its generation is diverse in form. Some are based on the writers' unconscious geographic information, which, together with imagination, constructs a fantastic and spectacular geographical landscape; Some are mixed with the real geographical environment by adopting real geographical elements. The literary landscape is distinct from real landscape because of its independence, literariness and subjective creativity. A focus on the imaginary landscape can help to find the unique aesthetic quality and rich humanistic features beneath the human mind, place, and media. It also puts forward new requirements for the development of contemporary Chinese literature.
出处
《汕头大学学报(人文社会科学版)》
2016年第1期55-59,95,共5页
Journal of Shantou University(Humanities and Social Sciences Edition)
基金
陕西理工学院研究生创新基金项目"新世纪小说中的地域文学景观研究"(SLGYCX1511)