白曲演述传统与诗行观念——白族山花体民歌的民族志诗学反思

Tradition of Singing and Notions of Poetic Verses in the Bai People's Songs: Ethnographic Poetics Reflections on the Bai People's Shanhua Genre Folk Songs

既有白曲研究多从文学或文本的范式出发,对白族民歌的文学功能和基本特征进行描述和总结,这在某种程度上可能遮蔽了白族民歌真实的存在状态。为了还原白曲演述的实际样貌,引入民族志诗学的理论模型,实现白曲研究从"目治"向"耳治"的范式转换势在必然。"口头性"和"书面性"绝不是截然对立的两个面向,二者的互动关系是口头传统研究无法绕过的理论起点。

The existing research on the Bai people＇ s songs is mostly conducted in terms of literary or text modes, making a description and summary of the literary functions and fundamental features of the Bai people＇ s folk songs. This is indeed not enough for a revelation of the reality of the art concerned. We introduce the ethnographic poetics model to study the Bai people＇s songs in order to change from appreciation by eyes to that by ears. Oral and written forms are not opposite; instead, they are complementary and interactive with each other theoretically and practically.