摘要
少数民族仪式音乐是一种支配少数民族实际生活的文化行动方式,具有利益资源确认和共享的权力运作特征,以及针对自身职能边界的等级伦理秩序划分,对此本文立足于少数民族仪式音乐中的文化、权利、秩序三要素,从少数民族仪式音乐的民间化与专业化分野、"民族—国家"一体化理想的权利制衡与"人—人"关系构建的音乐制度出发,探索当代少数民族改造乡土传统的仪式文明路径。
Minority ceremony music is a dominant minority real life culture mode of action, has confirmed the interest resources and sharing of power operation characteristics, and the level division ethical order function boundary, this paper based on the ethnic minorities in the ritual music culture, rights and order of the three elements, from the minority folk music ceremony division and specialization, "national integration" of the right balance and the ideal of "people people" relationship building music system and explore contemporary minority traditional ritual cultural transformation path.
出处
《贵州民族研究》
CSSCI
北大核心
2016年第1期95-98,共4页
Guizhou Ethnic Studies
基金
山东省社会科学规划研究项目"山东省文化产业升级新思路:乐器制造业与文化产业协同发展研究"(项目编号:15DWYJ03)
中央高校基本业务费专项"近代以来基督教音乐在青岛地区的传播及影响研究"(项目编号:201415009)