赵孟頫画学思想探微

Probing into Zhao Mengfu's Painting Ideology

赵孟頫作为中国元代最重要的艺术大家,在书法和绘画诸方面都取得了很高的艺术成就。尤其在绘画方面,赵孟頫继承了唐以来的传统艺术精神和绘画技法,通过其深邃思考及艺术创作,为元代以后的绘画艺术开创了崭新的面貌。其画学思想主张扬长避短地师法传统,学唐画之意致而去其纤细、学宋画之雄健而去其粗犷;主张书画同体;主张以自然为师。其画学思想对当代艺术创作实践仍然有积极的借鉴意义。

Zhao Mengfu, the greatest artistic master in Yuan Dynasty, made great achievements artisticly in calligraphy, painting and other aspects. In painting, he inherited the traditional artistic essence and painting skills which started from Tang Dynasty, and opened up a brand new look of painting for artists in Yuan Dynasty and thereafter. He advocated learning from painting traditions critically, that is to learn the aesthetic mood in the paintings from Tang Dynasty but rid of its silkiness, to catch the vigorousness in paintings from Song Dynasty but rid of its roughness ; he advocated that paintings and calligraphy should be of the same form, and he advocated modelling on nature. His painting ideology serves as fine references for modern artistic practice.