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山水情怀 艺术人生——谈王维后期山水诗艺术风格的形成

Feelings of landscape and life of art -- Talk on formation of landscape poems of late period of Wang Wei
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摘要 在继承陶渊明、谢灵运、谢 等前人田园山水诗创作经验的基础上 ,王维把山水诗的创作推向成熟 ,在诗中创造出了情景交融的意境。仕途的坎坷和佛学道教的影响使王维后期寄情山水 ,甘于寂寞 ,形成空灵静逸的独特诗境。王维集诗人、画家、音乐家于一身 ,精深的艺术修养形成了他历来为人所称道的“诗中有画”、“静中有声”的艺术风格。 On the foundation of creative experiences of landscape poetry inheriting the predecessors, such asTao Yuanming, Xie Lingyun, Xie Tiao, Wang Wei pushed the creation of landscape poetry towards maturity, in those poems he had created artistic conception of feeling and scenery; under the impacts of full of frustrations on the way of career and influences of Buddhism and Taoism placed feeling on landscape in his late period, willing to loneness and having formed lyrical quiet unique condition; Wang Wei concentrated skills of poet, painter and musician for himself,intensive artistic culture formed his artistic style --'poetry is provided with pictures, sounding in the quiet' which is always commended.
作者 穆廷云
机构地区 邢台学院中文系
出处 《学习与探索》 CSSCI 北大核心 2002年第3期102-105,共4页 Study & Exploration
关键词 王维 唐诗 山水诗 poems in Tang Dynasty landscape poetry Wang Wei
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