范梈的“雅正”之论与实际创作

FAN Peng's Righteous Theory And The Actual Creation

范梈秉承儒家传统诗教,在诗法、诗序等诗论中推重"雅正"。范梈具体的诗歌创作也符合其主张的"雅正"之论,对于美,能够发出盛大之音;对于刺,则委婉与克制地进行讽喻,而无乖戾之气。另外,其诗歌中有许多篇章是对"仙"与"隐"的抒写。求仙与归隐本与儒家关怀现实积极入世的态度相悖,但范梈恰当的处理,使二者没有逾出"雅正"的格局。"雅正"既是范梈诗歌的特色,也是元朝中期诗歌的总体特征。

FAN Peng inheriting the traditional Confucian＇s poetry theory, paid attention to ＂righteous＂ style in the theory of poetry. FAN Peng＇s concrete poetry creation also accorded with the proposition of the ＂righteous＂ theory. For praise, he was able to send out the sound of a grand; For criticize, he was able to carry out an allegory of euphemism and restraint, without too much anger and sadness. In addition, many chapters of his poetry were the ＂immortal＂ and ＂hermit＂ writing. The contents of these two aspects were contrary to the positive attitude of the Confucian concern to the reality of the world. But FAN Peng properly handled these contents. He made these poems do not exceed the scope of ＂righteous＂. ＂Righteous＂ is the FAN Peng＇s characteristic of poetry, but also the overall characteristic of poetry in middle Yuan Dynasty.