摘要
视觉图像的出现不是偶然也不是必然的,是社会发展中人们创造的。贡布里希对于视觉图像的意义提出了"图式"与"观者之眼"等观点。图式是人们的认知,是知识的储存。图式是观者与艺术家达到共鸣的必要因素。反思贡布里希的视觉图像观,笔者以为,视觉图像观在某种意义上也阻碍了艺术的发展,是对艺术的一种制约,同地也是艺术家创作的牢笼。
Gombrich put forward the concepts of"icon" and "eyes of the observer" in explaining the meaning of visual image. "Icon", the store of knowledge as well as human perception, is the indispensable element for the resonance between the observer and artist. In reflection of Gombrich's opinion about visual image, the paper also points out that "visual image" in some sense is a restrain to the art and artist as well.
出处
《河北民族师范学院学报》
2016年第2期72-78,共7页
Journal of Hebei Normal University For Nationalities
基金
湖南省社科基金项目"图像转向下的图文景观及其学理渊源研究"(14BR02)阶段性成果