朦胧诗的文化传承与精神反叛

Cultural heritage and spiritual rebellion of the Obscure Poetry

朦胧诗创作者走的还是从"感时伤国"到"涕泪飘零"的老路,秉承的依旧是屈原式的精神余脉,但他们的努力没有得到主流话语的承认。朦胧诗因为"阅读与诠释习惯"问题而受到批判。朦胧诗与"九叶派""新月派"以及六十年代台湾现代派诗歌的"精神反叛"是血脉相通的:"九叶派"反叛的是"口号诗"和"政治宣传诗"所造成的"语言危机";台湾现代派诗歌反叛的是意识形态的"膨胀化"所造成的"诗歌美学危机";而朦胧诗反叛的既是十年动乱所造成的"语言危机",又是长期的政治利比多所造成的"诗歌美学危机"。

Obscure Poetry still takes the old road from the “Sentimentalism for the times and for the country ” to “Tearing for China,” upholds Qu Yuan’s spirit, yet fails to be recognized by the mainstream culture. Instead, it has been criticized due to the habit of reading and interpretation as people who never read poetry tend to criticize though. Obsure Poetry is fused with the same blood as the “Jiuye School”, “New Moon” and the “rebelling spirit” of Taiwan modernist poetry in the 60s. “Jiuye School” rebels against the language crisis caused by “slogan poety” and “political propaganda poetry”; Taiwan modernist poetry rebels against the ideology of “inflation” caused by the “poetry aesthetic crisis”; and the Obscure Poetry rebels against the “language crisis” caused by the ten years of cultural haos as well as the “poetry aesthetic crisis” caused by the long-term political libido.