贾平凹的《“卧虎”说》与“寻根文学”

Jia pingwa's “On Crouching Tiger” and “Root:seeking Literature”

贾平凹的创作一直都与"寻根文学"有着难以理清的渊源。他从头到尾都活跃在"寻根文学"这场话剧舞台上:悄然报幕,联袂演绎,孤独谢幕。就80年代的文学思潮而言,贾平凹的《"卧虎"说》较早提出了具有"寻根"思想的创作理念,而他本人也一直在阐发着这种为文思想,并不断在创作上付诸实践,体现着他对"寻根文学"审美意义的追求。

Jia’s works have been always having something to do with “root-seeking literature” which is difficult to clarify. He quietly announced, performed together with the protagonist, then answered the curtain call in the end. He played from the beginning to the end in the drama of “root-seeking literature”. As for the literature trend in 1980s, Jia early proposed the creative ideas of “root-seeking literature” in his “On Crouching Tiger ”. Jia earnestly practiced his creation ideas, embodying the aesthetic pursuit of “root-seeking literature”.