城镇化语境下解读贾平凹长篇小说的乡土之道

A Review on Jia Pingwa's Reflectionon the Ways to Prosper Homeland in His Novels under the Perspectives of Chinese Urbanization

城镇化是中国社会经济发展的必然趋势和社会进步的重要标志之一,更是与中国农村的发展息息相关。身处城镇化变革氛围中的当代中国文学不能回避记录这一伟大时代进程的任务。在当代乡土文学的代表人物贾平凹的长篇小说《秦腔》、《高兴》和《带灯》之中,中庸之道,至善之道,民本之道被刻画的深沉隽永,意味深长,构成了中国特色浓郁的乡土之道。三部作品是贾平凹将创作语境深植于中国广袤的农村大地,充分吸收中国传统文化滋养后所收获的精神成果,体现出了贾平凹在城镇化的创作背景下对于中国传统农耕文明执着的文学坚守。

As the inevitable trend Chinese economic development and one the significant marks of social progress, the urbanization is closely associated with the Chinese rural development. Therefore the contemporary Chinese literature, which has also been developed during the urbanization, is expected to keep a record of this great historical reform taking place in China. In Jia Pingwa’s novels like Qin Qiang Opera, Happiness and A Firefly Shinning in the Darkness, top priority is given to the doctrine of the golden mean, supreme goodness and sovereignty of people with vivid and meaningful expression, hence a rustic effect with Chinese characteristics. These three novels are Jia’s writing context deeply rooted into the vast area of countryside and his spirit achievements when nurtured with Chinese traditional culture. They also reflect Jia’s literary persistence on the Chinese traditional farming civilization under the background of urbanization.