朱译《无事烦恼》中一首挽歌的互文性对比研究

Contrast Researches on an Elegy of Much Ado About Nothing Translated by Zhu Shenghao From the Perspective of Intertextuality

本文选取莎剧《无事烦恼》中的一首挽歌,从互文性视角出发,以翻译家朱生豪所译第二稿和第三稿的手稿为语料进行对比分析。在微观互文性视角下,不论是修辞手法的运用、用词韵律还是意象的选取等等,两稿都存在较大的差异。在宏观互文性视角下,两稿文体截然不同,第二稿和第三稿都成功实现了语言的"穿越",实现了"再语境化",且译稿风格也发生了极大的变化。通过两个译稿的对比分析,不仅可以使读者进一步了解莎剧精髓,而且还能欣赏中国古典文学之美。

The author selected an elegy from Shakespeare＇ s play Much Ado About Nothing and analyzed the second and the third manuscripts of Zhu Shenghao＇ s translation from the perspective of intertextuality. From the perspective of micro-intertextuality, many differences have been found in the two translated ver- sions in terms of the use of rhetorical devices, rhythm and the choice of images. From the perspective of macro-intertextuality, the stylistic features in the two manuscripts are different, though both of them are successful in realizing the ＂recontextualizaiton＂. The contrastive analysis may help readers know better a- bout the essence of Shakespeare＇ s plays and appreciate the beauty of classical Chinese literature.