《红楼梦》“宝玉访画”情节的“互文”新解

Intertextuality Reading of the Plot “Bao Yu Visit Painting” in A Dream of Red Mansions

《红楼梦》第十九回中的"宝玉访画"情节在人物设置上有颇多令人费解处,张新之在此处评点说"一部《红楼》,作如是观",可见其在小说中的重要位置,但却未引起多数人关注。这一情节是曹雪芹对传统小说戏曲中的"画中人"爱情故事的化用。从二者互文的角度对之进行细读,会发现其正是以寓言的方式暗示了贾宝玉"意淫"之"情"随着成长走向"肌肤淫滥"的危机,以及大观园女儿们走出大观园之后的遭遇。此情节围绕"画里"和"画外"象征着大观园的内外和"少年"与"成年"的大观园儿女的命运,《红楼梦》的结局在此已埋下了难以逃避的关于成长的悲剧性伏笔。

The interpose of the plot ＂Bao Yu visit painting＂ in the nineteenth chapter of A Dream of Red Mansions is obscured to readers. Zhang Xin-zhi comments this plot as A Dream of Red Mansions, read like this. From this we can see the importance of the plot in the fiction, but it did not arose most scholars＇ attention. This plot is the paraphrase of the beauty in the picture love story by Cao Xue-qin. From the perspective of intertextuality of them, we will find that it is in the form of allegory suggested that Jia Bao-yu＇s ＂love＂ as the growth of ＂promiscuous＂ crisis, as well as the suffering of garden daughters go out of the grand view garden. The plot around the ＂in the picture＂ and ＂out of the picture＂ symbolizes the inside and outside of the grand view garden and ＂juvenile＂ and ＂adult＂ of the children＇s fate in the grand view garden. In this A Dream of Red Mansions, it has planted the seeds of the hard to avoid the tragic stage of growth.