摘要
桑塔格对摄影的批判可以从三个向度把握:对摄影本质的批判、对拍摄者和拍摄对象之间关系的批判、对观看者和拍摄者关系的批判。桑塔格的摄影批评以美学为经线、道德为纬线,从摄影影像的特性出发,通过对摄影真实性的质疑批判,力求揭示出摄影背后隐藏的权力关系。
Susan Sontag's critiques on photography include three aspects: Criticism of the nature of photography,criticism of the relationship between the photographer and the object,and criticism of the relationship between the viewer and the photographer. Sontag's critiques on photography are on the basis of aesthetics as longitude and morality as latitude,starting from the characteristics of photographic image,and strive to reveal the power relations hidden in photography through querying and criticizing on the authenticity of the photography.
出处
《乐山师范学院学报》
2016年第1期94-98,110,共6页
Journal of Leshan Normal University
关键词
摄影本质
拍摄者
被拍摄者
真实
感受力
道德
Essence of Photography
Photographer
The Photographed
Reality
Sensibility
Morality