电视剧的市场机制与革命理想主义重建——以《激情燃烧的岁月》和《继父》为例

The Market Mechanism of Teleplay Production and the Reconstruction of Revolutionary Idealism:——Taking Years of Burning Passion and Stepfather as Examples

习近平总书记在文艺工作座谈会讲话中特别强调"以人民为中心"的文艺创作导向。"人民"这个概念源自革命理想主义的理论和实践,其内涵基于革命理想主义对人的理解和设定。在中国电视剧生产市场化的进程中,革命理想主义也被纳入到电视剧的生产资料范围,成为市场机制的征用对象。这不仅意味着市场机制对革命理想主义的改造和收编,同时也意味着在新的历史条件下市场机制为革命理想主义接受基础的重建以及革命理想主义自身的重建提供了可能性。这为协调"以人民为中心"的创作导向与市场机制的关系,提供了某种启示。

In the course of the marketization of Chinese teleplay production,revolutionary idealism has also been incorporated into the range of teleplay production materials,and become the expropriation object of market mechanism.This not only means that the revolutionary idealism has been transformed and incorporated by market mechanism,but also means that the market mechanism provides the possibility of the reconstruction of revolutionary idealism＇s accepted basis and the revolutionary idealism itself,under the new historical conditions.