摘要
"五四"歌谣运动的兴起,促成了台静农对淮南民歌的搜集研究。台静农为"五四"歌谣运动贡献了"一是学术的,一是文艺的"民歌资源,他对淮南民歌的搜集研究,不仅提供了七言五句体的民歌范本,传承、发展了明代冯梦龙发现的"桐城歌体",而且明显地留下了受胡适影响的重考证的学术印迹。他从发生学的角度,通过翔实的考证,探讨了歌谣的起源问题。
The rise of Peking University-based May Fourth Ballad Campaign prompted the research on Huainan ballads collected by TAI Jing-nong who contributed the academic and artistic ballad resources to the May Fourth Ballad Campaign. TAI's research and collection of Huainan ballads, and even the issue and reprint had been supported by HU Shi and the other predecessors. His research and collection not only provided the ballad form of five lines of seven words, inheriting and developing the Tongcheng Ballad form found by FENG Menglong in the Ming dynasty, leaving the academic mark of textual study advocated by HU Shi. TAI also explored the origin of ballads through rich textual study from the angle of genetic principle.
出处
《合肥师范学院学报》
2016年第1期86-90,共5页
Journal of Hefei Normal University
基金
安徽省哲学社会科学规划项目"两淮文化与民间歌舞的历史传承及当代价值研究"(AHSK09-10D95)阶段性成果
关键词
五四歌谣
台静农
淮南民歌
May Fourth Ballad
TAI Jingnong
Huainan ballad