假作真时真亦假——景德镇陶艺作品代笔现象的法律分析

Real Becomes Not-real Where the Unreal's Real: Legal Analysis of Ghostauthorship for Jingdezhen Ceramic Art Works

盛世收藏,乱世黄金。作为收藏品的瓷器有古瓷和当代陶瓷之分,古瓷由于真假难辨,赝品盛行于世,严重影响了收藏者的投资意愿。在一些独具慧眼的收藏家推动下,当代陶瓷在艺术品投资收藏市场也逐渐升温。因需求量激增而产量有限,当代陶瓷价格也不断攀升。部分陶瓷艺人为了使自己的名号尽快变现,开始粗制滥造,更有甚者请人代笔或是直接将作品外包,在此有必要对该现象的法律问题进行澄清,以期净化景德镇艺术陶瓷市场。

Collector＇s works are demanded during a prosperous age while gold is needed over troubled times. Collector＇s ceramics include both contemporaries and ancients. Because of the difficulty in distinguishing between the real and the unreal, ancient forgeries are so common that collectors refrain from investing in ancient pieces. However, with the help of those clear-sighted, the market demand for contemporary collector＇s ceramics is on the rise. The prices for contemporaries spiral up dramatically because the increasing demand exceeds supply. In order to make more profit from their identity, some artists begin to mass produce poor quality works; others even hire ghost artists or subcontract their work to others. This paper is to look upon the ghost authorship of collector＇s ceramics from the view of law in order to legalize the art ceramic market in Jingdezhen.