以画论神韵入诗学复古——兼论胡应麟书画艺术与诗学建构路径

Romantic Charm in Theory of Painting with Poetic Return to the Ancients—— Hu Yinglin's Art in Painting and Calligraphy with Approach to Poetic Construction

胡应麟所标举的神韵说是明代复古诗学转变的重要观点,其来源于画论,入诗学而救格调弊端。它又与以神品论诗相契合,从而赋予了诗歌生命力、自然与超越感的本色特征。求复古于神韵是神韵说提出的重要意义,指出了诗歌取法乎上与由法入神的复古道路。最终胡应麟正是凭借书画理论构建出属于自己的复古诗学体系。

Hu Yinglin＇s advocated theory of romantic charm is an important view in the transformation to ancient poetics of the Ming Dynasty. The theory was originated from theory of painting, borrowed into poetics to correct its abuse in style. It also fits in with opinions on poems by romantic charm, thus endowing poems its characteristics o life, nature and feeling of transcendence. The significance of romantic charm is its relying on the return to the ancients, which points out the retro approach of poems taking and entering into romantic charm. Finally Hu Yinglin built a retro poetic system of his own by relying on the calligraphy and painting theory.