摘要
巴西女性建筑师，丽娜·波·巴迪（LinaBoBardi）（1914-1992）被认为是南美20世纪最主要的现代建筑师之一，具有多产而有趣的特质。她的标志性建筑。巴西圣保罗艺术博物馆（MASP。1968年）以及粗野主义的风格的巴西圣保罗庞培娅艺术中心（SESC—Pompeia Factory，1977—1986年），在近些年得到了广泛关注。她的声誉也得到了国际上的认可。在1946年，随丈夫移民巴西之后，她的建筑实践随着第二故乡的社会文化现实共同演化。在继续使用工业材料的同时，如混凝土和玻璃，她也采用了当时流行的材料和自然主义的形式来创造出大型多功能承载公众的空间。圣保罗庞培娅艺术中心为我们展现了一个城市旧工厂改造更新的实例，体现了对于尊重城市传统。以人为本，重视地域性以及手工艺建造的考量。
Brazil female architect, Lina Bo Bardi （1914--1992） is considered one of Brazil＇s most important contemporary architects in the 20th century, and as a reference of the Brazilian modernist architecture, her work has prolific and interesting personalities. Her iconic building, Sao Paulo Art Museum （1968） and the Sao Paulo Pompeia social business service center （1977-1986） which possess the Brutalism architecture style, have received widespread concern in these years and her reputation has been recognized by the international community. In 1946, after moving to Brazil with her husband, her building practices evolved with the social and cultural realities of the second hometown. With the continuing use of industrial materials, such as concrete and glass, she also adopted the popular material and the form of naturalism to create a large multi-bearing public space. The Sao Paulo SESC Pompeia renovation project shows us a classic case of the respect for city tradition, people-oriented, attention to regional considerations as well as of the construction crafts.
出处
《建筑师》
2016年第1期77-83,共7页
The Architect
