摘要
罗纳德·赫伯恩的环境美学思想首先体现在他充分认识到传统美学理论对自然美的忽视,并从历史的维度梳理了当代美学中导致自然美被放逐的主要原因。其次,他通过对自然审美特质和如何实现整体性自然审美的考察,从美学内部革新的层面扭转了自德国古典哲学美学以来漠视自然美的局面,实现了自然作为审美对象的复归。第三,他提出了环境审美模式研究中存在的主要问题——作为主观的审美想象与作为客观的科学知识如何结合的问题,并且通过形而上学的想象模式提供了解决该问题的一种思路。赫伯恩提出的问题及其解决思路以其内在的理论魅力持续不断地推动环境美学学科向纵深发展。
Ronald Hepburn's thoughts on environmental aesthetics were firstly reflected in his full cognition of people's neglect of natural beauty in traditional aesthetics theory and his analysis of the main reason for of exile of natural beauty in Contemporary Aesthetics in the historical dimension. Secondly,through his study of natural aesthetic qualities and realization of the holistic aesthetics,he reversed the situation of ignoring the natural beauty,which has lasted since the German classical philosophy and aesthetics Thirdly,he has pointed out the main problem in the study of environmental aesthetic model,i. e. the combination of subjective aesthetic imagination and objective scientific knowledge,and has produced his measure to solve the problem via the metaphysical imagination pattern.
出处
《郑州大学学报(哲学社会科学版)》
CSSCI
北大核心
2016年第1期10-14,158,共5页
Journal of Zhengzhou University:Philosophy and Social Sciences Edition
基金
2011年度湖南省哲学社会科学基金项目"生态文明视域中的中国环境美学发展研究"(课题编号:11YBA330)
2013年国家社科基金重大项目"中国古代环境美学史研究"(课题编号:13&ZDO72)子课题"清代的环境美学"
中南大学教师发展基金
关键词
罗纳德·赫伯恩
环境美学
自然审美
艺术审美
形而上学的想象模式
Ronald Hepburn
Environmental Aesthetics
natural aesthetics
artistic aesthetics
the imagination pattern of metaphysical