论李佩甫“平原三部曲”的情感表现——以《城的灯》为中心

On Emotional Expressions in Li Peifu's Plain Trilogy——A Case of Light of City?

在雷蒙·威廉斯看来,情感结构是特定时代地域的"一种整体的生活方式",是一个时期的文化。情感结构被用来描述某一特定时代的人们对现实生活的普遍而广泛的感受,这种感受饱含那个时代共享的价值观和社会心理,并在文学作品中有明显的体现。借用威廉斯界定的"情感结构"可以探析李佩甫的"平原三部曲"中主人公是如何巧妙地利用和改造了中原人民千百年积累下来的生存智慧,通过"吃苦"、"忍耐"、"交心"、"磨脸"、"发狠"、"算计"等一系列策略在城市求生存。通过解析李佩甫对于乡村和城市之关系的文化想象,从而把握其长篇小说的情感意蕴和现实意义。

Raymond Williams holds an idea that emotional structure is ＂a whole way of life＂ in a specific region and era and is the culture of a period. Emotional structure is often used to describe people＇ s universal and exten- sive feelings towards real life in a particular era, which shows the shared values and social psychology of that era and is clearly reflected in literature. In terms of ＂emotional structure＂ defined by Williams, this paper tries to find out how heroes in Li Peifu＇ s ＂Plain trilogy＂ cleverly used and transformed the survival wisdoms accumulated for thousands of years by the people from the Central Plains. It further deals with the fact that how these people succeeded in surviving in the city through a series of strategies such as the “hard work, ＂patience sincerity＂ , ＂being clingy＂, ＂being determined＂ and ＂being smart＂. By analyzing Li Peifu＇ s cultural imagination about the relationship between the country and the city, the emotional implication and practical significance of his novels is to be grasped.