比较视野下魏晋南北朝和唐宋时期文学接受理论研究综述

Overview on Literature Reception Theory of in Wei-Jin,Southern & Northern Dynasties and Tang-Song Dynasties from Comparative View

新时期以来,在比较视野下中国当代学者以西方接受美学为参照系对魏晋南北朝和唐宋时期文学的接受理论进行了现代阐释。他们的接受史探究发现:魏晋南北朝是纯粹文学性的接受鉴赏理论自觉的时代。刘勰的《知音》篇是中国"第一篇接受理论专论";钟嵘的"滋味"说具有读者本体论色彩,钟嵘的"品第"法是中国古代接受批评自觉和古典文学风格学成熟的一个重要标志。唐宋时期是中国古代文学接受理论高度繁荣的时代。中国当代学者关于"读者意境"和"意境空白"的辩证解读,极大拓展了"意境"这一民族化文学接受理论范畴的诗学内涵。

In our new period,Chinese contemporary scholars have chosen western reception aesthetics as reference to interpret reception theory of the Wei-Ji,Southern & Northern Dynasties and Tang-Song Dynasties in comparative view. They have founded that the Wei-Jin,Southern & Northern Dynasties belongs to the period of conscious,pure literary reception theory based on the history of literary reception. Liu Xie 's Confidant is the first monograph on reception theory of ancient Chinese. Zhong Rong ' s 'poem- savoring'view contains reader- ontology theory. Zhong Rong's'grades of poet'is an important mark of the consciousness of ancient Chinese reception criticism and mature classical literature stylistics. Tang-Song Dynasties is high prosperous period of ancient Chinese reception theory. Chinese contemporary scholars' dialectical interpretation on 'the artistic conception of audiences'and 'the blankness of artistic conception'has greatly expanded the poetical features of 'the artistic conception'as a category of national reception theory.