摘要
明初无名氏杂剧作品《危太朴衣锦还乡》在《曲录》中被误题为《危太朴后庭花》,错误来源于《啸馀谱》。《啸馀谱》之错,在于该书混淆并误刻了"影写洪武间刻本"《太和正音谱》中"古今无名氏杂剧一百一十本"前后相邻两个剧目名称。《危太朴衣锦还乡》的主题,是时人借以暴露、讽刺、批判危素,以达到宣扬"忠君"思想之目的。
In Qu Catalog,the anonymous Zaju WEI Tai-pu Returning to His Hometown with Honors in the Early Ming Dynasty was mistakenly collected as WEI Tai-pu and Backyard Flowers,originating from Xiaoyu Music Manual in which two neighboring drama titles in Taihe Music Manual were engraved and printed wrong. The theme of WEI Tai-pu Returning to His Hometown with Honors is to expose,satirize and criticize WEI Su in order to propagate the idea of being faithful to the emperor.
出处
《安庆师范学院学报（社会科学版）》
2016年第1期10-14,共5页
Journal of Anqing Teachers College(Social Science Edition)
基金
国家社科基金一般项目"元末明初戏曲研究"(11BZW064)
教育部人文社科规划项目"元末明初杂剧研究"(07JA751017)
安徽省重大教研项目"高校古代文学教学与地方戏曲‘非遗’相结合的创新模式探索"(2015zdjy110)
关键词
无名氏杂剧
《危太朴衣锦还乡》
危素
anonymous Zaju
WEI Tai-pu Returning to His Hometown with Honors
WEI Su
