摘要
体验是指人们面对某种事物时所产生的综合性感受,是主体之人对深蕴其中的生命意义的整体把握。它贯穿于艺术活动的全过程,是艺术立足的关键所在。在漫长的艺术发展历程中,人们通常关注艺术创作中的体验理论,而从接受之维对其所做的相关的系统研究较少。因此,在"体验"概念求索的基础上,以艺术接受为视角来探析中国古代的体验理论,梳理其理论发展的历史脉络,求解其理论生成的文化渊源,探寻其对于当今艺术接受所具有的深远意义,以期在一定程度上填补学术空白。
Experience refers to people's comprehensive feelings to certain things and the overall grasp of the subject over the implied life meaning.It runs throughout the whole processes of artistic activities and it is the key point that art bases on.In the long history of art,people usually focus on the experience theory of artistic creation,while relative systematical research from the dimension of reception is rare.In order to fill the academic gap to a certain extent,based on the concept of"experience",this dissertation explores and analyzes the ancient Chinese experience theories from the perspective of art reception by combing the development history of them,solving their cultural origin,and exploring its profound significance on today's art reception.
出处
《辽宁师范大学学报(社会科学版)》
2016年第2期92-97,共6页
Journal of Liaoning Normal University(Social Science Edition)
基金
辽宁省教育厅科学研究一般项目(W2012219)
辽宁经济社会发展立项课题(2014lslktziwx-34)
关键词
艺术接受
体验
中国
古代
art reception
experience
China
ancient times