论存在主义对先锋作家的持续性影响

Lasting Effects of Existentialism on Avant-garde Writers

先锋文学是新时期最重要的文学现象之一,其因受存在主义深刻影响而具备"颠覆性"和"超越性"品格,在20世纪80年代盛极一时,却在90年代初开始衰微。然而存在主义对这些作家的影响并不限于他们在80年代的创作中,同样表现在90年代以至新世纪的创作中,前者的影响在于"虚",也即形式层面;后者的影响在于"实",也即意义层面。该文将"江南三部曲"作为后者中的典型文本,通过探讨文本中"史诗性"和"寓言化"因素来看存在主义对先锋作家的持续性影响。

Avant-garde literature is one of the most important literary phenomena in the new period.Profoundly influenced by existentialism, it has a ＂subversive＂ and ＂transcendence＂ character. It was very popular in 1980 s, but began to decline in the early 1990 s. The influence of existentialism to these writers are not only in their 1980 s composition, but also in their 1990 s as well as the new century＇s works. The effect of the former is ＂virtual＂, namely the form;the impact of the latter is ＂real＂, namely the significance. Taking ＂Jiangnan Trilogy＂ as a typical text of the latter, persistent effect of existentialism on the avant-garde writers can be seen in the discussion of the textual aspects of ＂existential ontology epic creation＂ and ＂ruins aesthetics＂.