摘要
《俗文学丛刊》中所收录的木刻本川戏《独占花魁》目前尚未引起学界注意,该本在情理关系上呈现出与李玉《占花魁》传奇完全不同的特点。《独占花魁》中男女主角人物身份的变化反映了婚恋价值观的转变,而女性在婚恋关系中的主导地位更凸显了"重情轻理"的叙述倾向,由此可窥见花部地方戏在改编文人案头文学作品时的审美趣味。
Sichuan opera The Oil Vendor and the Courtesan in engraved forms which is included in The Folk Literature Series has not yet drawn the attention of scholars. This play has a very different view on the relationship between rationality and emotion compared with Li Yu's Seizing the Unsurpassed Beauty. The identity of the characters has been changed and this reflects the change of the values on romance. The predominance of woman in a romantic relationship has shown the tendency of emphasizing the emotions while belittling rationality.From this we can see the aesthetic tastes it shows when local opera recomposed the literary works.
出处
《广西职业技术学院学报》
2016年第1期43-47,共5页
Journal of Guangxi Vocational and Technical College
关键词
川戏
独占花魁
情理关系
Sichuan opera
The Oil Vendor and the Courtesan
relationship between rationality and emotion