《松游小唱》的用典艺术

Allusion Art of Ditty in Pine Woods

晚清羌族诗人董湘琴,通过丰富多彩的典故,为其边塞行吟长诗《松游小唱》植入了深厚的文化内蕴。诗人穿梭古今,典故运用驱策自如。《松游小唱》的典故可分为意象性典故、引言性典故、叙事性典故三种类型;其用典的美学意蕴又表现在自然疏野之美、雄浑劲健之美、悲慨沉著之美三个方面。透过用典,深入诗人复杂多面的内心世界,可窥探其尊古重今的价值准则、抒难解患的责任意识、离俗向道的精神追求。

Dong Xiangqin, a Qiang poet in the late Qing Dynasty, embedded profound cultural connotations in Ditty in Pine Woods, a long frontier poem with abundant and colorful allusions. The poet shuttled between the ancient and modern times and had a good mastery of allusions. Allusions in this poem are divided into the imaginal, introductory and narrative ones; and the implicational aesthetics of allusions are the beauties which are natural and unrestrained, vigorous and forceful, and grieved and steady. By making best use of allusions and looking into the complicated and multidimensional inward of the poet, we can explores his value norm of respecting the past and cherishing the present, his awareness of responsibility of solving problems and relieving from difficulties, and his spiritual pursuit of departing from worldliness and yearning for Taoism.