摘要
封锁时期的车厢在张爱玲笔下构成了一个奇特的异质空间,不同于以往的压抑空间书写,作者在这个空间下建构了吕宗桢与吴翠远的爱情传奇。结合空间理论进一步分析和探讨张爱玲小说中的封锁意象,文章第一部分将着重分析封锁下的车厢如何成为一个异质空间;其次将重点探讨在这个异质空间下的文化反抗,分为三点:焦虑释放,爱情传奇,模糊道德;最后通过封锁的"瞬时性"特点来分析作者想象空间的失落。
In Eileen Changs text, the carriage in the biocRade perioct consntuteS a pexuliar space where the author constructs a love legend between Lu Zong-zhen and Wu Cui-yuan and the space is dif- ferent from the depressive space written in the past. Combined with the spatial theory, this paper will fur- ther discuss the "blockade" image in Eileen Changs text. The first part will focus on the question that how the blocked carriage becomes a heterogeneous space; then cultural resistance in this heterogeneous space is explored which contains three points: anxiety release, legend of love, fuzzy morality; then the writer's lost in imaginary space is analyzed through the"instantaneity" of blockage.
出处
《安徽广播电视大学学报》
2016年第1期102-104,110,共4页
Journal of Anhui Radio & TV University