郁达夫的小说与日本文学“物哀”美学传统

Yu Dafu's Novels and the Traditional Aesthetic Inclination of “Mono No Aware” in Japanese Literature

郁达夫的情爱小说具有一种独特的悲剧美,与日本文学传统中的"物哀"美十分相似。郁达夫的很多作品通过"失去的女人""失去的爱情"之类设置情节,以便于对"失去"进行反复咏叹;也通过对人物心理和自然景物的优雅描绘,形成作品细腻动人的悲哀美。郁达夫的创作在美学上超出了中国传统的美学范畴,而与日本文学的"物哀"美理念相近,是郁达夫深受日本文学影响的结果。

Yu Dafu’s love novels have a peculiar beauty of tragedy,which is similar to the traditional aesthetic inclination of ＂mono no aware＂（sorrow for objects’ decline） in Japanese literature. Through setting plots like ＂the lost woman＂ and ＂the lost love＂,Yu Dafu’s literature presents constantly sighs with emotion. And also through vivid depiction of the psychology of the characters and natural scenery,his literature creates a delicate and tragic aesthetic. Yu Dafu’s aesthetic aspect of literature transcends Chinese traditional aesthetic scope. It consists with the traditional aesthetic of ＂mono no aware＂ in Japanese literature,and it results from the strong influence of Japanese literature.