楚地漆器纹饰与超现实主义绘画“梦幻”特征的比较研究

A Comparative Study of Chu Lacquer Ornament and Surrealist Painting

"梦幻"是人类认知世界的一种特殊方式,而艺术是展示人类"梦幻"的重要渠道。楚地漆器纹饰云气流荡,事物处于瞬息万变之中,一事物可以幻化为他事物,人物或奇谲诡怪或飘然飞升,具有"梦幻"艺术效果。超现实主义绘画受到弗洛伊德潜意识理论的影响,力求表现非理性、无逻辑的梦幻世界,也具有"梦幻"艺术效果。楚地漆器纹饰是人类对于宇宙混沌状态的集体记忆,体现了主客不分的原始思维模式和对世界的混沌体验。超现实主义绘画是第一次世界大战后艺术家在倦怠于理性和秩序的生存状态下对于非理性世界的呼唤,是清醒的艺术家刻意制造的梦幻之境,折射出理性语境下人类的惶惑和恐惧。

＂Dream＂ is a special way of human cognitive world. Art is an important channel to display the ＂dream＂ of human beings. The Chu lacquer ware is covered with cloud, there is a sense of fantasy. Surreal painting attempts to show the irrational, illogical fantasy world, but also has a ＂dream＂ effect. Chu lacquer decoration is the collective memory about the universe chaotic state, which reflects the primitive thinking mode. After the first World War, the artists became weary of reason. They called for the irrational world, and expressed the subconscious in the art.