西画东瞻的历史回顾与思考

Historical Review and Thinking or Western Paintings from the Oriental Perspective

现代派美术受全球美术界关注。西方现代派美术追求平面化、二维性,这是西方美术史学家和创作者研究的课题。西方现代派美术自希腊开始了对东方美术的承接,本文重点探究西方现代派对东方美术吸收的路径与特征,指出西方美术自文艺复兴开始向东方艺术借鉴,他们丢弃了西方古典绘画的三维性创作手法,只追求东方艺术的视觉图像性与装饰效果,并没有对东方艺术境界与神韵进行深刻领悟,他们一方面坚持自我革新,一方面也在东方化的借鉴中推动全球现代美术的发展。了解西方现代派美术东方化的学习借鉴历史与经验,可以增进中国美术的自信与自觉。

Modern Art has been a highlight in global art history for a really long time,and its graphical feature is a significant research topic in the field of western art history.This thesis,puts emphasis on the approaches and features that western Modern Art absorbed the elements of oriental art since the Renaissance.Although the oriental art elements are often seen in Renaissance art,without any profound understanding of the oriental art realm,western artists then could only make their art pieces more graphical and more oriental with more decoration effect.The western tradition of creating a 3Dvision in a painting was abandoned,which was a self-revolution and pushed the global art world moving forward.