摘要
芦笙是贵州雷山苗家人言情志事的一种文化载体,在长期的社会实践中,形成了丰富的芦笙曲调和多彩的芦笙演绎方式。然在全球化当代传播技术背景下,作为"地方性音乐"的雷山苗族芦笙音乐正遭遇前所未有的困境,丰富多彩的芦笙曲调及其演绎方式已发生变迁。文章在对雷山苗族芦笙的传统曲调及其演绎方式进行阐述的基础上,反观当下的苗族芦笙音乐创作与现代芦笙舞台表演,并对其现代性变迁进行分析。
Lusheng is a kind of cultural carrier for the Leishan Miao in Guizhou to record romantic things built,formed rich Lusheng melody and colorful Lusheng deductive way in the long-term social practice. However, under the background of global modern communication technology, Lusheng music of the Leishan Miao as a "local music" is suffering unprecedented predicament, its rich and colorful ethnic tunes and deductive way have changed. On the basis of elaborating the traditional Lusheng tune of the Leishan Miao and its deductive way, the author reviews the current modern Lusheng music creation of the Miao and its stage performance, and analyzes its modern transition.
出处
《地方文化研究》
2015年第4期81-92,共12页
Local Culture Research
基金
2014年度贵州大学研究生创新基金资助项目"贵州苗族芦笙的音体系及其文化研究"(基金编号:研人文[2014034])阶段性成果
关键词
贵州雷山
苗族芦笙
传统曲调
演绎方式
现代性
文化变迁
Leishan of Guizhou
Lusheng
Traditional tune
Deductive way
Modern
Cultural transition