书法如其人 书道在尽势——孙清彦《学书枝言》书法艺术内容述评

The Calligrapher's Embodiment in the Work——Comments and Analysis of the Calligraphic Techniques in Sun Qingyan's "Xueshuzhiyan"

《学书枝言》对书法艺术本质内容的概括论述,涉及到了书法理论的高端层次,即"以人喻书"美学和"书势"艺术理论,这种文艺理论植根深厚的传统文化的土壤中,与道家"道法自然"的哲学和儒家"文以载道"、"以人为本"的思想都有着深刻的联系。这种书学思想,高扬了人的主体价值,肯定了书法家对天道自然的认识和把握的能力,肯定了人的主观能动性。

＂Xueshuzhiyan＂ reviews the core ideas of calligraphic art, which relate to the advanced theoretical concepts of ＂em- bodiment＂ and ＂Shu Shi＂ the calligraphic concept of expressing ideas and emotions in the formation and style of written character. Under the influence of traditional philosophical thoughts from Taoism, such as ＂Tao follows nature＂, and Confucianism, such as＂the writings are to express and carry truth＂ and ＂people＇s values come first＂, the ideas in ＂Xueshuzhiyan＂ place emphasis on the calligra- phers themselves, and clarify their central role in the understanding and integration of Tao and nature during their artistic creations.