摘要
古文献对抚拍、搏拊、相与节四种乐器的名实记载混杂不清。笔者以文献考证为基础,先从乐器抚拍的形制研究入手,考证雅乐器搏拊的出现、使用、改制的历史进程,继而对上述乐器是否属于同器异名现象进行辨析,并据此对以"韦表糠里"为主要特征的搏拊类乐器的发展脉络展开深入探索。
For four music instruments of Fu Pai, Bo Fu, Xiang and Jie, that their names and the real objects were recorded unclearly in Chinese ancient books. Based on textual researching literature and starting with the studying of the shape of instrument Fu Pai, the author did textual researching on the instrument Bo Fu with its historical process of emergence, usage and restructuring, and then differentiate and analyze the above instrument whether or not belong to the phenomenon of the same thing with the difference names, and on the basis of this to explore deeply the development of Bo Fu sort instruments with the main features as"Wei Biao Kang Li".
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2015年第4期96-101,共6页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
抚拍
搏拊
抚相
抚节
唐宋乐器
Fu Pai
Bo Fu
Fu Xiang
Fu Jie
musical instrument in the Dynasties of Tang and Song