清代绘画中的传移摸写 以《金屋春深图》为例

Zhuanyi Moxie in paintings of the Qing Dynasty

＂传移模写＂最早出现在南齐谢赫的（《古画品录》中,与气韵生动、骨法用笔、应物象形、随类赋彩、经营位置并称为＂六法＂,既是学习绘画的入门之径,又是作品传播与保存的重要手段。自晋唐以来,很多书画作品的原件流失了,因为＂传移模写＂,留下了珍贵的摹本,使后人得以了解其基本面貌,从而有限度地还原历史真实（如王羲之《兰亭序》）,在美术史上功不可没。

Zhuanyi Moxie is a torm that means copy and imitation. It comes from Critkism On Ancient Paintings by XIE He in the Southern Qi Dynasty. The article takes the original work by HUA Yan and two copies by JIANG Lian and HUANG Junbi as the object of study to disuss the manitestation of Zhuanyi Moxie and its meaning in the art history of the Qing Dynasty.