摘要
新疆草原石人是亚欧草原文化的重要组成部分,是古代游牧民族以石为材雕刻成的人像,大多被置于墓葬的前方,伫立于草原之上,在他们的身上有很多未解之谜等待我们去破解。在此以草原石人身上所刻的"蹀躞带"为研究点,对"蹀躞带"的渊源及变迁,"蹀躞带"的材质与形制,腰上所佩挂"伏突",所垂袋囊等进行逐个分析和探讨。"蹀躞带"大量出现在新疆草原石人的身上,它不仅仅是草原民族的一种穿衣风尚,还体现了草原民族的文化与风俗,见证了草原文化与中原文化的交流与融合。
Xinjiang grassland stone figures,an essential component of the Eurasian steppes culture, were carved by ancient nomads and placed in front of tombs. Standing on the grasslands,the stone figures are veiled in lots of mysteries. This paper,with the Diexie belt on the stone figures as a research focus,analyzes and discusses the origin,materials,designs and accessories of the belt. The prevalence of Diexie belt represents not only the dressing fashion of the grassland ethnic groups,but also the rise and decline of their history. Furthermore,the figures reflect the cultures and customs of the grassland ethnic groups,and witness the exchange and integration of the grassland culture and the culture of the central plains.
出处
《贵州民族研究》
CSSCI
北大核心
2016年第2期177-180,共4页
Guizhou Ethnic Studies
基金
2011年新疆生产建设兵团社会科学项目"新疆北部草原石人文化及艺术符号研究"(项目编号:11BTYB15)
2013年国家社会科学基金项目"新疆古代游牧民族石刻文化艺术研究"(项目编号:13BMZ068)的阶段性成果
关键词
草原石人
“蹀躞带”
文化交流
grassland stone figures
Diexie belt
cultural exchange