摘要
从比较文学形象学来看,李伯元《文明小史》中的异国形象包括洋人、洋物和异域,作家以洋人形象反思"柔远"文化,以洋物形象表现晚清大量输入西方器物时国人缺乏辨别的能力,以异域形象表现追寻真文明的理想。小说折射出晚清社会自我认同的危机和李伯元的"边沿"书写心态。
The paper studied tlhe exotic images of foreigners in the novel of Wen Min Xiao Shi written by Li Bo--yuan in Qing Dynasty, from the imagologie study perspective. Li Bo--yuan reflected "welcome foreigner guests" culture with various images; When the late Qing society import a large number of western goods, people had no aware of discriminatory ability; and The exotic images reflect the idea of civilization at Qing Dynasty. The novel reflects the identity crisis of the society of the late Qing Dynasty and Li Bo-yuan's state of mind of "Bianyan" writing style.
出处
《陕西学前师范学院学报》
2016年第3期54-58,共5页
Journal of Shaanxi Xueqian Normal University
基金
陕西普通本科高等学校教学改革重点研究项目(11BZ57)
关键词
李伯元
《文明小史》
异国形象
自我认同
Li Bo--yuan
《Wen Min Xiao Shi》
images of foreign countries
self--identity crisis