不着一字,尽得风流——《鸿门宴》刘邦形象塑造艺术新探

Without a Word,but More Romantic——the Artistic Exploration of Image-building about Liu Bang in "Feast at Hong Gate"

《鸿门宴》的教学不可不做刘邦形象分析,然而对刘邦形象分析常常关注刘邦言行正面描写部分,当然这没错,也是必要的;然而,如果仅仅就此打住,那么对刘邦形象的理解分析就显得简单和平面,应该对刘邦形象塑造艺术做更为深入的探讨,揭示其"不着一字,尽得风流"的塑造技巧,还原其鲜活、立体的刘邦形象。探究这一人物形象塑造技法,有利于洞察作者的思想情感倾向,深入了解作品的内在意蕴,无论对语文阅读教学,还是写作教学都大有裨益。

It is necessary for people to explore Liu Bang＇s image-building in ＂ Feast at Hong Gate＂. However, the research about him usually focus on the discourses and behaviors, which leads to the simplicity and plane in interpretation of Liu Bang＇s image. Based on this, this paper reveals the skill ＂ without a word, but more romantic＂ for the sake of revivifying the vivid and tridimensional image. Through exploring the skill of shaping character, this paper thinks that it is beneficial for understanding the author＇s emotional trend and the internal implications, which is great advantage in Chinese reading teaching and writing teaching.