摘要
艺术思潮天然伴随着社会思潮应运而生,中国文化中特有的"迁徙"现象在电视剧创作中表征为一种"迁徙题材电视剧"的艺术类型。迁徙题材电视剧主要是指"在历史迁徙事件下以人口迁徙行为为核心内容或主要情节"的电视剧,表现出物理空间的位移、家(乡)意象的参照、文化冲突的凸显三大特征。它大致经历了20世纪80年代的萌芽期、20世纪90年代的发展期以及新世纪以来的深化期。"迁徙题材电视剧"有理由成为中国电视剧类型的一种可能,它以中国特有的迁徙现象为创作资源,不仅促进了电视剧产业自身的发展,而且让世界看到了丰富多元的中国文化。
The art ideological trend is born at the right moment with the social trends. The unique"migration"phenomenon in Chinese culture reflected in the TV series as a kind of art style which can be called "Migration Series". This type of series takes the migration behavior in the history as its core content and main plot. It has three characteristics such as the displacement of physical space,the reference of the home( country) image and the highlight of the cultural conflict. It has experienced its embryonic period in 1980 s,the development period in 1990 s and the deepening period in the new century. "Migration Series"has the reason to become a possible type of TV series in China. It takes the unique migration phenomenon of China as the resources for creation. It can not only promote the development of the TV series industry,but also let the world see the multivariate Chinese culture.
出处
《南京师范大学文学院学报》
CSSCI
2016年第1期134-139,共6页
Journal of School of Chinese Language and Culture Nanjing Normal University
关键词
迁徙题材电视剧
概念
沿革
migration series
TV series concept
historical evolution