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《性别理论视阈下尤金·奥尼尔剧作研究》评介

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摘要 刘永杰.2014.《性别理论视阈下尤金·奥尼尔剧作研究》.北京:中国社会科学出版社,432页.《性别理论视阈下尤金·奥尼尔剧作研究》是郑州大学刘永杰教授主持的教育部人文社科项目的最终结项成果。这部专著洋洋洒洒46万字,作者在详细阅读奥尼尔的50部剧本的基础上,借用社会性别理论分析和研究了奥尼尔的性别伦理意识。
作者 王占斌
出处 《天津外国语大学学报》 2016年第2期73-75,共3页 Journal of Tianjin Foreign Studies University
基金 天津市教育委员会项目"尤金.奥尼尔戏剧在中国的译介及影响研究"(131025) 天津市哲学社科规划项目"多维视角下的奥尼尔研究"(TJWW15-020)
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参考文献12

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  • 2Burr, S. 1989. O'Neill's Ghostly Women[A]. In J. Schlueter (ed.) Feminist Readings of Modern American Drama[C]. Rutherford: Fairleigh Dickinson University Press.
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  • 7刘琛.论奥尼尔戏剧中男权中心主义下的女性观[J].吉林大学社会科学学报,2004,44(5):59-63. 被引量:4
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二级参考文献40

  • 1[1]Ahuja, Chaman. Tragedy, Modern Temper and O'Neill. New Delhi: Macmillan Indian Ltd. , 1984.
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  • 6[6]Mandl, Bette. "Wrestling the Angel in the House," in The Eugene O'Neill Newsletter, 12.3 (1988).
  • 7[7]Moi,Toril. "Representation of Patriarchy: Sexuality and Epistemology in Freud's Dora," In Dora's Case:Freud-Hystria-Feminism, ed., Charles Bernheimer and Claire Kahane. New York: Columbia University Press, 1985.
  • 8[8]Simon, Bernet. Tragic Drama and the Family: Psychoanalytic Studies from Aeschylus to Beckett. New Haven: Yale University Press, 1988.
  • 9[9]Smith-Rosenberg, Carroll. Disorderly Conduct: Vision of Gender in Victorian America. New York:Oxford University Press, 1985.
  • 10[10]详见Louis Sheaffer, Son and Playwright (Boston: Little, Brown and Company, 1968)241-42;Harold Bloom, Eugene O'Neill's Long Day's Journey into Night (New York: Chelsea House, 1987) 1-8.

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