论版画的“虚灵性”与“神妙性”表现

On “Virtual Spirituality” and “Marvelous Nature” of Prints

作为具有艺术审美的"意象",其根本特征为虚灵性与神妙性,版画表现最具有这种虚灵性与神妙性。而在所有的版画艺术中,因制作材料、工艺的复杂性与多样性,使印痕形成的画面厚重沉稳、层次丰富,能给人强烈的情感共鸣和无限的遐思空间。每幅作品必经过构思、造型、制版、拷贝、印刷等诸多环节,艺术家对各环节的具体把握总会使画面带有一定程度的偶然性和不确定性效果,可以很好地表现出艺术之虚灵性与神妙性,这或许正是版画艺术创作的魅力所在。

As artistically aesthetic ＂imagery＂,it is fundamentally characterized by virtual spirituality and marvelous nature. Generally,prints show the most marvelous spirituality and marvelous nature. Due to the complexity of materials,manufacturing process and diversity,the print arts are heavy,steady and level-rich,which will impress people with strong emotional resonances and infinite reveries. Each piece will go through the procedures,such as conception,modeling,plate making,copying and printing,and the artist will always grasp all the above aspects with a chance to make the picture and the effect of some uncertainty. All these demonstrate virtual spirituality and marvelous nature of the arts,which,perhaps,is the charm of print arts.