20世纪创用于钢琴作品中的一种新技法——音簇构建的理论基础及其成因

A New Technique First Applied in Piano Works in the Early 20th Century:The Theoretical Basis of the Tone Clusters and its Formation

音簇是最早出现在20世纪初钢琴作品中的一种新技法。考埃尔对音簇的构建与广泛运用形成了自己独特的理论,其理论的架构以大自然的定律"泛音"为基础。他以科学数据作为其理论构建的前提,通过新的视角来解读音乐发展与泛音列中相邻谐音之间的关系,指出随着音乐的发展,作品中和音的运用必将涉及更高谐音之间的二度音程,同时预示听众对不协和音响的可接受性必将追随音乐向前发展的轨迹。考埃尔音簇构建思维的形成不仅是时代的产物,也与其个人独特的成长经历和家庭教育,以及影响其音乐观念的重要人物息息相关。

Tone Clusters is a newtechnique first applied in the piano works in the early 20 thcentury. Henry Cowell has established a unique theory about the construction and wide application of the tone clusters. Based on scientific data and from a newperspective,he interpreted the relationship between musical development and the overtone,pointing out that it is inevitable that newmusic will apply the second interval. The achievement of Henry Cowell is closely connected with his unique experience,his family education and the musical perspectives of those who have influenced him.