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印象派三时期的艺术世界 被引量:1

Art World of Impressionism in the Third Period
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摘要 印象派是很有特点的画派,它十九世纪六十——七十年代以创新的姿态登上法国画坛,反对当时已经陈腐的古典学院,反对当时已经落入俗套只在中世纪骑士中寻找创作源泉矫揉造作的浪漫主义画派。印象派一反欧洲几百年来在画室作画的传统习惯,以及十六世纪以来的变化甚微褐色调子。它在绘画上开辟了新的领域对艺术具有特殊的贡献,具有不可磨灭的功绩。印象派三时期即印象主义、新印象派、后印象派,分析它们在艺术世界之间的联系与区别也同样具有较高的艺术价值。 Impressionist school is a distinctive painting school. It appeared on France paiting circles in 60s-70 s in the 19 th century with the new attitudes and opposed the classical allusion academy that was decadent, and opposed the artificial romanticism school which has fallen in the convention and sought the inspiration in the knight-errant ages. Impressionist school was different from the traditional drawing customs of European studios for a century and the brown tone with very tiny change during the past sixteen centuries. It had opened up the new field for drawing and had peculiar contribution to the art, it had everlasting merit. Impressionist school three times are impressionism, the neo-impressionism and latter impressionist school. Analyzing the relations and difference among them in the artistic world has high artistic value.
作者 马荣
出处 《价值工程》 2016年第10期12-14,共3页 Value Engineering
关键词 印象派 绘画风格 新印象派 后印象派 impressionist school drawing style neo-impressionism latter impressionist school
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  • 1[1](英)贝纳·顿斯坦.印象派的绘画技法[M].平野,陈友仁,译.天津:天津人民美术出版社,1982.
  • 2[6](意)利奥奈洛·文杜里.西欧近代画家[M].朱伯雄,译.北京:人民美术出版社,1979.
  • 3[1]耿幼壮.视觉、躯体、文本--解读西方艺术[M].北京:人民美术出版社,2003.

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